News/Views


News and commentary about film and Nikon film SLRs:

Kodak Film Prices Going Up?

(news & commentary)

Kodak film prices will be going up on June 1st, at least in Japan. It’s unclear whether this is a global price increase or just a delayed response to the yen’s slide against other major currencies. 

The price increases are variable, ranging from 30% to 80% in the T-Max 35mm line. 4x5 users will find T-Max 400 increases 120% for 50 sheets. 

The high percentages of the increases would tend to indicate to me that we’ll see global increases, as they’re more than the yen slide would demand. Indeed, “lower global demand and high raw materials prices” were quoted as reasons for the increases. 

If you do a lot of film shooting, it probably pays to be keeping a reasonable stock in your refrigerator until ideal storage conditions. We’ve had a steady increase in prices and removal of less popular stocks for several years now, and there’s no end to that in sight.  

Two More Fujifilm Films Discontinued

(news)

Fujifilm today announced that they are discontinuing Neopan 400 Presto in 35mm form and Fujicolor Pro 400 in 120 roll film due to insufficient demand. 

Remember also that Fujifilm pricing goes up on April 1st. So consider this a reminder to stock up.

Capture NX-D Nails Nikon Scan Coffin Shut

(news & commentary)

A reader reminded me that Nikon Scan also saves into NEF format. With Nikon now dropping the old Capture NX2 framework for a Silkypix spine, it appears that support for Nikon Scan NEFs is now dead at Nikon, as well as Nikon Scan itself. So much for legacy support. Nikon apparently doesn’t do much of that any more. I suppose it’s possible that Nikon might fix this (Capture NX-D is only in beta at the moment), but I sincerely doubt it. Other aspects of the NEF support in NX-D are also broke and unsupported, and it seems like it would be a big job to put all that back into the new product.

If you’ve got images scanned into NEF format, I suggest that you get them out while you still have the software to do so. Can’t say that DNG would be a better choice. Indeed, it appears that 16-bit TIFF is where you scans probably need to be.

Fujifilm to Increase Film Prices in April

(news)

Fujifilm put out a press release today indicating that they will increase the price of their film products in April 2014 substantially (by double digits). The actual price increase will vary by product, market, and regions. The price increase is attributed to lower demand, though Fujifilm says they remain committed to the film market.

No further information is available at this time.

Fujifilm Closing UK E6 Lab

(news)

Fujifilm UK just gave a one-year advance notice of the closing of their E6 lab in Britain. All pre-paid mail vouchers must be used before November 1st, 2014. 

This seems more like a partnership ending than the closing a facility, though. Fujifilm's E6 processing was done by CC Imaging, and they will continue to process E6 film after November 2014. What's really happening here is that Fujifilm is getting out of mailer business and having their own branded E6 processing. 

And a New Name to Remember...

(news & commentary)

It's Kodak Alaris, apparently. 

That's the name of the new company that will be handling Kodak's old professional imaging business, the one that made all the films and paper we all hope continue on. Under terms of the bankruptcy agreement, the old Eastman Kodak shed this business to the United Kingdom's Kodak Pension Plan (KPP) in exchange for removing the pension obligations. KPP has now created Kodak Alaris, the company that will actually sell the films and papers.

In an article in the British Journal of Photography, the company is quoted as saying that they don't expect to be adding or subtracting any film products in the future.  

The businesses that are now in Kodak Alaris are: retail photo kiosks, dry labs systems, paper and output systems, film products, event imaging solutions, and a document imaging business. Sales of more than US$1.3b are expected this year, and the new company has over 4700 employees worldwide.

Kodak Alaris Web site

Not Exactly a "Film" Camera, but...

(news & commentary)

Fujifilm this week announced the instax mini 90 Neo Classic (is there enough room on the little camera for the name? ;~). 

neo90.jpg

While not a film camera—it's an instant camera that prints credit-card sized photos (46 x 62mm) as its output—it is nice to see that the old analog options haven't completely all gone away, and the joy of "instant" photography hasn't been completely forgotten.

On the other hand, one has to shudder at press releases that have lines in them that say "The new instax mini 90 Neo Classic targets not only women…but now also men." Woo-hoo! 100% more potential purchasers! 

Obviously, I needed to immediately go look and see what the previous instax cameras looked like. Ah, it's color that was the attractor: as in pastel pink, pastel yellow, and pastel blue. 

If you want to see the full instax line, use this link [advertiser link], though note that because of the holidays, B&H hasn't caught up to the Fujifilm announcement as I write this.

More Repurposing of Big Screen Film

(news)

Much of the film production still going is for Hollywood and the cinema, though this, too, is on a downhill path now that we're seeing feature films go digital in both production and distribution. It used to be, however, that there were many companies repurposing cinema film for still photography. Today we heard of one getting ready to do that again.

Cinestill 800 is a tungsten-balanced (3400K) high-speed motion picture film with the Remjet backing removed and then repackaged into 35mm canisters. The resulting film can be processed in C-41 or ECN-2 solutions. The film is native ISO 800, but can be push processed to as high as ISO 3200 if need be (results in higher contrast). 

Because the film is tungsten-balanced, it's really an indoor film. You could shoot it in daylight at ISO 500 with an 85B filter on the lens, though. 

Cinestill also has a listing for another new film, Adox Color Implosion, which is a muted color ISO 100 negative film.

Cinestill Web Site

Ilford Opens US Lab

Ilford has opened a new processing, scanning, and printing lab in San Clemente, California. Like its pre-existing twin in Cheshire, United Kingdom, this new mail order lab can process any makers black and white film in the 35mm and 120 formats, though prints are made on Ilford paper only. Turnaround time is said to be two to four days. Prepaid mailers are available from some dealers, or you can order directly through the Web.

Prices include:

  • Develop 36-exposure 35mm: US$12
  • Develop 120 format: US$8
  • 5x7 print upgrade: US$5
  • 2nd set of prints: US$7
  • Scans for Web download: US$10
  • Scans to USB flash drive: US$5
  • Scans to CD: US$16

Shipping is additional. 

Ilford US Lab Web site

Ferrania Coming Back?

(news)

Ferrania made a blog post this week indicating that they've starting the R&D project to resurrect the Ferrania films. 

Wait, what? What are Ferrania films?

This Italian maker wasn't much known in the US, but they produced film under the Solaris name (100, 200, 400, and 800 color negative) and rebranded this for others in Europe, including Lomography Society. Ferrania closed their doors a couple of years ago, but apparently some of those involved have been trying to get it restarted, and that appears to now be happening.

The current goal is to produce Solaris FG-100 Plus (ISO 100 negative) and a new ISO 100 slide film, as well. 

One interesting side note on Ferrania is that they were one of the last producers of oddball formats (e.g. 110). They claim that they have the equipment to produce 110, 120, 126, 127, 135, 220, Super 8, Double 8, 16mm, 35mm, and 70mm formats, and will produce them as demand warrants.



text and images © 2013 Thom Hogan — All Rights Reserved — TwitterGoogle+